I have invited you all
but I don't know where to start -
I am standing here waiting for the dim light
as the growing shadows
allow us to slip in to the House
to count our steps on the floor
that end where Cerberus begins -
Cerberus loves his House
Cerberus shivers to the sound of Mahler
Cerberus admires Cocteau
after all – he was one of the Children of the Game
Cerberus was once a child too -
Cerberus reads Seferis poems passionately
and named his cat after Sachtouris
Cerberus would love to have dinner with a Portrait
Cerberus is black and white
because he devoured all the colours
Cerberus , 100 x 180 cm
The House , 150 x 180 cm
In the Garden of Cerberus , 50 x 93 cm
Les Enfants Terribles I Children of the Game, 180 x180 cm
Les Cheveaux Terribles I The Frightful Horses , 80 x 90 cm
Looking at Stella's paintings
one is invited to an interplay between myth and reality.
The images Stella presents intrigue and challenge the viewer.
Abstract forms are juxtaposed with realistic motives.
The images range from utter darkness to the brightest light
and all the hues in between.
Stella's hand is heavy and it is light.
She is a master of classical techniques and an accomplished inventor
who courageously seeks new forms of expression.
Are we invited down to Cerberus cave?
Or is Stella bringing him up from the underworld for us to see?
I am not sure.
But this visit to Cerberus somehow leaves one more in awe than in fear.
Janne Thoralvsdatter Scheie
Lecturer at Department of Teacher Education and School Research –
Faculty of Educational Sciences, University of Oslo , Norway
The Black Rooster , 41,5 x 110 cm
The Sacrifice , 100 x 180 cm
Palazzo Dei , 82 x 200 cm
Johnnie got his gun , 85 x 100 cm
Still Life of Cerberus or Before the Dinner , 150 x 153cm
Invitation to a Portrait , 150 x 190 cm
Grovelling to Cerberus , 100 x 150 cm
Works included were created on cabot, using dry and water soluble pencils,
graphite, ink, dry pigment, pastel and fixative.